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I have smoothed boniness before — like when models have bones sticking out of their chest, they want that subdued. That’s somewhat common. … The skin is another story: we completely remove veins and freckles and moles and bags under the eyes all the time. We often remove body hair, subdue wrinkles, whiten teeth, pop the eyes. We also smooth kneecaps and veins in the hands and things like that — anything that’s distracting that takes away from the product being featured.

[In mascara ads] they wear false eyelashes, of course, in the photoshoot, and we completely draw the lashes in one by one so it’s just like a forest of eyelashes. That’s like the biggest lie of all — you can’t achieve that.

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— An anonymous retoucher shares some trade secrets

(Source: andrewsullivan.thedailybeast.com)

Venus is everywhere today! The above photos come from “The Black Venus Project,” described by artist Maxim Vakhovskiy as “a collection of figure portraits celebrating the black female, represented by extraordinary everyday women from around the world.” More photos and information about the book at the link.

(Source: blackvenusproject.com, via newwavefeminism)

Italian artist Giordano applies contemporary standards of beauty (and the digital editing that makes them possible) to classic works of art. The artist has taken some of the most famous paintings of the goddess Venus and stripped her down to fit 21st century beauty standards. Curvaceous thighs and fuller tummies were tucked, and all breasts were given implants. See more before and after images at the link. 

Italian artist Giordano applies contemporary standards of beauty (and the digital editing that makes them possible) to classic works of art. The artist has taken some of the most famous paintings of the goddess Venus and stripped her down to fit 21st century beauty standards. Curvaceous thighs and fuller tummies were tucked, and all breasts were given implants. See more before and after images at the link. 

"My old lip color could barely keep up with my busy schedule. In the time it takes to notice the wide discrepancy between my salary and that of my male peers, I’d have to reapply! In the seconds to count the number of women in high political offices, seated on corporate executive boards, and featured in film and television over the age of forty, my lip color would be as invisible as this glass ceiling only inches above my head! L’Oreal, because I am worth it. And because holding myself to an impossible standard of beauty keeps me from starting a riot!"

— Maria Bamford’s version of a makeup commercial, from her CD How to WIN! (via tobiasfunkes)

(Source: theangrybeige, via caterinasforzas)

Melissa Harris Perry, “How black hair matters”