If people don’t want to be offended, they shouldn’t go to comedy clubs? Maybe. But if you don’t want people to react to your jokes, you shouldn’t get on stage and tell your jokes to people.
This fetishization of not censoring yourself, of being an “equal-opportunity offender,” is bizarre and bad for comedy. When did “not censoring yourself” become a good thing? …In a way, comedy is censoring yourself—comedy is picking the right words to say to make people laugh. A comic who doesn’t censor himself is just a dude yelling. And being an “equal opportunity offender”—as in, “It’s okay, because Daniel Tosh makes fun of ALL people: women, men, AIDS victims, dead babies, gay guys, blah blah blah”—falls apart when you remember (as so many of us are forced to all the time) that all people are not in equal positions of power. “Oh, don’t worry—I punch everyone in the face! People, baby ducks, a lion, this Easter Island statue, the ocean…” Okay, well that baby duck is dead now. And you’re a duck-murderer.
It’s really easy to believe that “nothing is sacred” when the sanctity of your body and your freedom are never legitimately threatened.
So, comics. This doesn’t mean that everyone is obligated to be the savior of mankind. You can be edgy and creepy and offensive and trivial and, yes, you can talk about rape. Doing comedy in front of a silent room is scary, and shocking people is a really easy way to get a reaction. But if you want people to not hate you (and wanting to not be hated is not the same thing as wanting to be liked), you should probably try and do it in a responsible, thoughtful way. Easy shortcut: DO NOT MAKE RAPE VICTIMS THE BUTT OF THE JOKE.
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